Is ‘The Batman’ a horror movie?

joker, by Todd Phillips, surprised a good part of the audience and critics for a reason: it did not resemble any film of the superhero genre. In fact, one of the insistent criticisms of the argument was to distance itself so much from the driving force of the superhero as to be unusual. With its subversive, groundbreaking, offbeat air, it was more a story about despair than a villain. Of course, it was also an adult production with clear references to Martin Scorsese’s cinema. Immediately, what seemed like a lucky experiment was understood in a reflection on the cinematographic. And especially, a new type of perception about the heroes of the big screen and their importance. The same happens with batman from Matt Reeves, an origin story that opens the door to a new dimension about Gotham’s crusader.

But beyond that, it’s also an oddity in how the superhero genre is structured. On this occasion, Reeves used a formula very similar to that of Phillips. The result is a vision of one of the great comic book characters in a new world. batmanmore than anything else, It is a tribute to horror movies. It’s also a visual experiment, responding to a whole new set of concerns in a genre that’s showing some signs of fatigue.

Reeves’ film also faced the crossroads of dealing with a trilogy considered iconic as the one directed by Christopher Nolan. At the same time, to the powerful version of Ben Affleck. To the director and co-writer, the challenge was to tell the story of Batman to an audience who remembers very clearly his last incarnations. In addition, to build a whole new landscape around the character.

How to do something similar without losing the essence of an essential figure in pop culture? Reeves’ decision was ingenious. Match his movie with horror movies. The result is a journey through the codes of the genre that reformulates that of superheroes. Just to create something different and that has its own side.

darkness everywhere

To come up with such an idea, Matt Reeves drew on two different perceptions of Batman. In the first place, what was raised both by Frank Miller in Batman, year one, and the vision of Darwyn Cooke in Batman, Ego. The two interpretations of Batman agree on a point of view. Gotham’s crusader is a dark creature, halfway between morality and a thirst for revenge.

It’s also one that uses fear as a tool, an idea it takes directly from Jeph Loeb’s Batman: Long Halloween. To bring the various plot lines together into a single point of view, Matt Reeves turned to the intimate. And also, to the symbolic of the inner darkness. So everything around the character is based on this reconstruction of the idea of ​​evil, good and sinister.

The result is a gloomy Gotham with gothic airs that collapses on a corrupt center. Batman doesn’t just have to fight criminals. He must also do it with the overlapping layers of moral shadows. Reeves showed that traffic through long shots of dark streets, in which the music of Michael Giacchino creates a fearsome atmosphere. Batman, in fact, is a sinister figure, emerging from portals and dark voids. One that seems to materialize slowly in the midst of a slow succession of shadows.